Productions


“Children of the Last Days”

“Children of the Last Days” is written and performed by Thandiwe Thomas De Shazor. It is a comedy show that aims to satirize Black church culture and the contradictions therein. So bring your Good Sunday Clothes, Your Tambourine, Your Church Fan and Your Sense of Humor!  Get Ready! Get Ready! Get Ready!

Written & performed by Thandiwe Thomas DeShazor

Directed by Norman Gee

Produced by Shalonda Ingram

A Nursha Project Production

 

Get Into It

Join Nursha Project in launching our newest production, Get Into It ! Written and produced in a talk-show format, Get Into It will delve into topics relating to health, wealth, and prosperity. The purpose of the the project is to document and share the experiences of transnational pop-culturalism in real-time through the kaleidoscope of arts, entertainment, social, political, historical, and environmental media.  Community members will be encouraged to express current and ever changing experiences that reflect their hyper-local social experiences. To learn more, click here .

 

 

The Paul Robeson Project

Ever heard of Paul Robeson?

He is an internationally renowned and celebrated actor, athlete, lawyer, singer and activist.  Yet, he is all but erased from mainstream US history. Paul Robeson is pre Civil Rights Movement and smack dab Jim Crow and McCarthyism. Despite these obstacles, he achieves highly.  Despite being a high achiever, human flaws arise…

This lecture demonstration about Paul Robeson by “Paul” shares his history, experiences, and what elements make up his particular brand of icon.

Performed by Kim Howard

Developed and Directed by Mimi McGurl

A Nursha Project Production

 

 

“Where My Girls At?”

“Where My Girls At?” is a “thoughtful, provocative, and insanely funny” one woman show written and performed by the “multi-talented” Micia Mosely. Portraying five drastically different characters representing the diversity of Black lesbian experiences, Micia challenges the notion that there is only one way to be Black or queer in the 21st century. A phenomenal one hour performance steeped in improv and audience participation, Where My Girls At? has thrilled audiences across the country from San Francisco, Detroit and New York to Amherst, Chapel Hill and Honolulu. A New York Innovative Theater Award Nominee, the show, while hilarious, continues to tackle difficult issues including inter and intra-group racism, sexism, and homophobia.

Written & Performed by Micia Mosely

Directed by Tamilla Woodard

Produced by Shalonda Ingram

A Nursha Project Production

 

Notable Quotes

“A lean, sinuous woman, milDRED Gerestant is a charismatic performer, brimming with raw talent, high energy and a gentle, winning charm. Using a blend of poetry, dance, music and monologue, she explores the fragile, fluid definitions of sexual identity and cultural stereotypes…Gerestant is a trickster. Watching her channel her characters produces a strange sensation. As her costumes change, we witness transformation by degree, an experience that not only challenges our assumptions but also teases us with an uneasy feeling of dislocation. Just as we settle into one character, Gerestant pulls a quick change and sends us looking for another label.”

– Mark Muro, Anchorage Daily News

“From Flip Wilson as Geraldine to Martin Lawrence as Sheneneh, men have made tons of money as drag performers. Now it’s the women’s turn, and one of the world’s leading character actors is Haitian-American milDRED Gerestant, the artist formerly known as DRED.”

Port of Harlem Magazine

“At “Divercity,” … the Haitian-American star actress DRED Love created a remarkable gender collage in motion… out of a trunkload of hairpieces, costumes, props, and sexy, dead-on body language . With muscles and curves… goatee, and a surprise between her shapely legs, she danced a manifesto of freedom and self-respect.”

– Eva Yaa Asantewaa, Village Voice

“milDRED Gerestant’s own act is a gender-bending roller coaster ride alternating between man and woman, outrageous and serious, ironic and sincere. It also preaches the message of self-love as if Eddie Murphy were to perform Eve Ensler’s “Vagina Monologues… milDRED Gerestant uses sexuality as a departure point to preach the message of tolerance, acceptance, and diversity. While a lot of her act uses hilarity to demonstrate that femininity and masculinity are not set in stone, she hopes that once her audiences realize the multiplicity of beings in themselves, the various shades of man and woman that is in all of us, regardless of sex, then we are more apt to realize and accept all the myriad differences of those around us.”

– The Korean Herald

 

Awards and Recognitions

2009 OUTMusic’s Spirit Award

2009 New York Innovative Theater Award Nominee for Best Solo Performance

GO Magazine’s ” 100 Women We Love

Two-time Recipient of The Field’s Artward Bound Artist in Residency

 

Links to Full-Length Press Articles

DC Theatre Scene

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