Comments Off on Queer Art Impact Celebrates Gay Wars: The Queer Ecology
Join Queer Art Impact in celebrating its one year anniversary with Gay Wars: The Queer Ecology. Gay Wars is back with a vengeance and full of pre-Pride hotness. The week-long festival of performances, panels, and meet-ups to unravel the queerness of human interaction is sure to please! For more information, visit queerai.com
May 15TH-21ST, 2011 in NEW YORK CITY
SUNDAY, MAY 15TH; 3PM IN PRIVATE, BROOKLYN-LOCATION
This QAI Brunch Series’ think-tank a la celebration is invite-only; Guests will net-wrrkq for this monthly series. It is an intimate gathering to celebrate/lubricate the work of queer strategists, innovators, and creators to build a strong QAI movement.
TUESDAY, MAY 17TH; 7PM AT ABRONS ART CENTER
Abrons Art Center in the Underground Theater
466 Grand Street
New York, NY 10002
RSVP HERE – FREE
A QAI promoted event, “Starving Artist” vs. Entrepreneur is part of ERPA: The Next Gen Debate Series with The Field (www.thefield.org). Debaters include Morgan von Prelle Pecelli, Jean Ann Douglass, Catherine Peila and Queer Art Impact co-founder, Shalonda Ingram. Moderated by Andy Horwitz.
Is the language we use around the arts helping or hurting? Do you pay yourself a living wage to make your work? Do you value your work as something that needs to happen? Does “non-profit” equal art-as-charity, a luxury commodity, a non-necessity? Does it support entrepreneurship? How does this language help art-makers to be seen, fundraise and be recognized as important and critical?
THURSDAY, MAY 19TH; 7PM AT GIBNEY DANCE CENTER
A FREE evening of conversation across creative disciplines and queer expertise; Moderated by activist, writer, and educator Brian McCormick; Panelists include organizers for QUEEROCRACY: a non-normative grassroots organization working to promote social justice and fight the global AIDS crisis through direct action, advocacy, and education.
FRIDAY, MAY 20TH; 7PM AT THE TANK
Music series featuring Brooklyn’s own Melissa Li, NJ/FLorida’s finest Bard & Mustache, and the notorious QAI superstar Charlie Demos! Hosted by last-months QAI electrodrama pop thang, the IDIOT a.k.a. Theodor Wilson.
SATURDAY, MAY 21ST; 7PM AT THE TANK
Main-stage featuring Shelly Mars’ Homo Bonobo Project.
The Homo Bonobo Project is a multimedia presentation by the globe-trotting Belgian primatologist Dr. Ghislaine Pussait, as played by her creator Shelly Mars, AKA the “after-hours Lily Tomlin.”
Oh, and isn’t Sarah Palin gonna be there ;-?
SATURDAY, MAY 21ST; 9:30PM AT DIXON PLACE
Late-night series at Bulldyke Chronicles with Shelly Mars including QAI/Nursha artist Micia Mosely.
Comments Off on Queer Art Impact and Future Perfect Team Up
Next Life & The Idiot
Thursday, March 3rd @ 9:30pm
354 West 45th Street, New York City
For reservations, call 212-563-6269.
One of the most exciting and radical music ensembles and shows to come out of Norway in recent years, “Next Life” barrels into New York for a mini concert tour hosted by two of New York’s hotbeds of experimentation. Co-produced by Queer Art Impact and Ideal Glass in association with Future Perfect, Next Life’s New York coming out takes place at The Tank on Thursday March 3 at 9:30pm.
Featuring the composer and stage artist Hai Nguyen Dinh on guitars, and Tormod Christensen on keyboard and samples, Next Life’s central interest is discovering the musical potential of mixing the alternative sounds of hardcore music with gaming technology.
To hear some samples, click on the following links:
IDIOT SAYS YES. The Idiot is an electro-drama pop singer and queer performing artist. His beats are strong, his rights are wrong. Check out the blog for sights, sounds, upcoming shows, and the occasional douchebag essay, and get into what people are calling “Sondheim on Ecstasy But More Gay.”
Comments Off on Nursha Project Guest Curates Late Night with Mason Rhynes Productions in DC
The April 30th edition of Late Night with Mason Rhynes is one you will not want to miss! Nursha Project is proud to co-curate this production!
April 30th, 2011 at 10pm
Late Night at Joe’s Movement Emporium
3309 Bunker Hill Road
Mt. Rainier, Maryland
Featuring A.O. Movement Collective, Wendell Cooper, and other special guests!
Co-presented with Joe’s Movement Emporium
Tickets: $20 General Admission; $15 Student Tickets with ID
Must be 18 to attend
A.O. Movement Collective will be performing their piece, “Wet.”
Choreographed by Sarah A.O. Rosner + dancers
Performed by Tara Aisha Willis
Music by The Idiot
Additional choreographic research by Kirstan Clifford
This excerpt is one section of our larger work in process, barrish, or: i promise i’ll only look at the sky (goddamn black fucking hole). La Mama Experimental Theater will present the (pre)premiere of the work at La Mama Moves! this May 27/28 in NYC. The entire work is transmutable – able to be put together in any configuration for any space – and available for curation by anyone interested. Find out how you can participate at www.theAOMC.org/menu
Founded in 2006, the A.O. Movement Collective is a home for hard falls and heavy slow dances: a community of dancers, thinkers, and makers who live by their art. The AOMC encompasses my choreographic work; when joined with blog Urgent Artist and freelancing collective A.O. PRO(+ductions), it is the movement third of a platform representative of a new model for dancemaking.
Choreographically, the AOMC pioneers pomo-humanism via a rigorous love affair with the aesthetics of mess. At the same time, we are developing a discourse of anti-ephemeralism that surrounds our dancemaking. We believe that by actively questioning the underlying assumptions of our field (be they artistic or economic) we become radical agents of progress, evolving the form and creating a more sustainable future.
TARA AISHA WILLIS (dancer) dances, makes dance, and writes things from her overly cozy apartment
in Brooklyn. She graduated Summa Cum Laude from Barnard College in 2009 with a B.A. in Dance and English, where she performed the work of Sean Curran, David Parker, Ivy Baldwin, Yanira Castro, Stephen Petronio, Gerald Casel, Nora Chipaumire, and Susan Rethorst. She received the Dance Theater Workshop Van Lier Fellowship just after college, and has shown work at DNA’s Works-In-Progress and Green Space’s Fertile Ground Series. Tara’s newest works will be presented this spring as an Alumni Guest Artist at The Latin School of Chicago, at the new REHEARSAL workshop series, and in the RoofTop Dance Series. Aside from The A.O. Movement Collective, Tara has most recently danced with Sydnie L. Mosley Dances, Anna Brown Massey and Edisa Weeks. She is completing her Pilates Teacher Certification at The Kane School, and teaches at the Pilates Garage in Park Slope. She supports her artistry as a freelance writer for A.O. Pro(+ductions), House Manager at Dance Theater Workshop, and hostess at Joe’s Pub. www.bodypoem.blogspot.com
The IDIOT (composer) is the performing Alias of THEODOR WILSON, a performing artist living in Brooklyn, NY. He calls his style of music “ElectroDrama,” because it combines trashy electronic riffs with melodramatic narratives, and because his live shows incorporate theatrical devices. Related genres include post-punk cabaret, new romantic, and industrial pop. Wilson is a trained pianist and occasionally performs acoustic versions of his electronic numbers.
The Idiot has referred to his persona as a “grotesque bitch,” and a “harlequin.” In concert, as well as in promotional appearances, he often wears articles of women’s clothing, notably high-heeled shoes, but insists he is not a drag queen, and that drag is “its own medium, with its set of own rules.” However, The Idiot does perform under the rap alias, “HamSamwich,” a self-described drag queen to end all drag queens, whose numbers often appear in the Idiot’s live act. The Idiot released his first official album, called “JUVENAL!A,” in 2010.
Wilson has collaborated with Rosner and the AOMC since 2007, and has scored both her performance works (Haunt, The What’s Left Over After) and short films (Flour, Eggshells, Study #4). He has also appeared in her performance works (in Love and Defense of the Ones I Destroy, barrish) and is a performative force to be reckoned with. The composition he created for The What’s Left Over After appears on his 2010 album JUVENAL!A.
SARAH A.O. ROSNER is the founder of A.O.3 (the A.O. Entity), a three-part platform uniting the A.O. Movement Collective, freelancing collective A.O. PRO(+ductions), and the Urgent Artist blog. A.O.3 represents a new model for downtown dancemaking by holistically supporting all involved – artists, audience, funders, and critics. When not working on her own ventures, she is the Manager of Engagement at New York Live Arts in NYC.
Born and raised outside of Washington, DC, Rosner attended Sarah Lawrence College in New York where she studied dance and film with teachers including Emily Devine, Sara Rudner, Keith Sabado, Tony Schultz, and Kathy Westwater. Rosner founded the A.O. Movement Collective in 2006, and has been at their helm creating Anti-Ephemeral PoMo Humanist discourse and works ever since, presenting work at the RAW festival, THROW, Open Perform, WAXworks, Green Space, AUNTS, Dance Place (DC), the LaGuardia Performing Arts Center and most recently, Joyce SoHo.
WENDELL COOPER is is modern shaman and creative artist based in Brooklyn, NY. A graduate of the
George Washington University (Dance/Religion), he is also a certified practitioner of energy bodywork and Thai Yoga Massage. He has taught, performed, and choreographed in China, Kenya, Russia, and the Netherlands. Cooper creates all of the elements of his interdisciplinary multimedia works that include both choreographed and improvised dance, original music, and video installation. He has worked with Nicholas Leichter Dance, the Maida Withers Dance Construction Company, Grisha Coleman, and the Magpie Music Dance Company. Wendell also self- produces as well as collaborates on projects with Mathew Heggem (as Kinaeathesia), Monstah Black, and Yozmit. SEA GLASS is his latest collaborative project. [www.complexstability.com]