Queer Art Impact Celebrates Gay Wars: The Queer Ecology

May 12, 2011 by  
Filed under Nursha World Featured Content

Join Queer Art Impact in celebrating its one year anniversary with Gay Wars: The Queer Ecology. Gay imgpress Queer Art Impact Celebrates Gay Wars: The Queer Ecology Wars is back with a vengeance and full of pre-Pride hotness. The week-long festival of performances, panels, and meet-ups to unravel the queerness of human interaction is sure to please! For more information, visit queerai.com

May 15TH-21ST, 2011 in NEW YORK CITY


SUNDAY, MAY 15TH; 3PM IN PRIVATE, BROOKLYN-LOCATION

This QAI Brunch Series’ think-tank a la celebration is invite-only ; Guests will net-wrrkq for this monthly series. It is an intimate gathering to celebrate/lubricate the work of queer strategists, innovators, and creators to build a strong QAI movement.


TUESDAY, MAY 17TH; 7PM AT ABRONS ART CENTER

Abrons Art Center in the Underground Theater

466 Grand Street

New York, NY 10002

RSVP HERE – FREE

A QAI promoted event, “Starving Artist” vs. Entrepreneur is part of ERPA: The Next Gen Debate Series with The Field (www.thefield.org). Debaters include Morgan von Prelle Pecelli, Jean Ann Douglass, Catherine Peila and Queer Art Impact co-founder, Shalonda Ingram. Moderated by Andy Horwitz.

Is the language we use around the arts helping or hurting? Do you pay yourself a living wage to make your work? Do you value your work as something that needs to happen? Does “non-profit” equal art-as-charity, a luxury commodity, a non-necessity? Does it support entrepreneurship? How does this language help art-makers to be seen, fundraise and be recognized as important and critical?


THURSDAY, MAY 19TH; 7PM AT GIBNEY DANCE CENTER

890 Broadway, Fifth Floor

New York, NY 10003

 Queer Art Impact Celebrates Gay Wars: The Queer Ecology

A FREE evening of conversation across creative disciplines and queer expertise; Moderated by activist, writer, and educator Brian McCormick; Panelists include organizers for QUEEROCRACY: a non-normative grassroots organization working to promote social justice and fight the global AIDS crisis through direct action, advocacy, and education.


FRIDAY, MAY 20TH; 7PM AT THE TANK

354 West 45th Street

New York, NY 10036

 Queer Art Impact Celebrates Gay Wars: The Queer Ecology

Music series featuring Brooklyn’s own Melissa Li, NJ/FLorida’s finest Bard & Mustache, and the notorious QAI superstar Charlie Demos! Hosted by last-months QAI elec­tro­drama pop thang, the IDIOT a.k.a. Theodor Wilson.


SATURDAY, MAY 21ST; 7PM AT THE TANK

354 West 45th Street

New York, NY 10036

 Queer Art Impact Celebrates Gay Wars: The Queer Ecology

Main-stage featuring Shelly Mars’ Homo Bonobo Project.

The Homo Bonobo Project is a multimedia presentation by the globe-trotting Belgian primatologist Dr. Ghislaine Pussait, as played by her creator Shelly Mars, AKA the “after-hours Lily Tomlin.”

Oh, and isn’t Sarah Palin gonna be there ;-?


SATURDAY, MAY 21ST; 9:30PM AT DIXON PLACE

161A Chrystie Street

New York, NY 10002

 Queer Art Impact Celebrates Gay Wars: The Queer Ecology

Late-night series at Bulldyke Chronicles with Shelly Mars including QAI/Nursha artist Micia Mosely.


Queer Art Impact and Future Perfect Team Up

February 17, 2011 by  
Filed under Nursha World Featured Content

Queer Art Impact and Future Perfect

present:   headerphoto 300x222 Queer Art Impact and Future Perfect Team Up

Next Life & The Idiot

Thursday, March 3rd @ 9:30pm

Tickets: $7

 Queer Art Impact and Future Perfect Team Up

The Tank

354 West 45th Street, New York City

For reservations, call 212-563-6269.

One of the most exciting and radical music ensembles and shows to come out of Norway in recent years, “Next Life ” barrels into New York for a mini concert tour hosted by two of New York’s hotbeds of experimentation. Co-produced by Queer Art Impact and Ideal Glass in association with Future Perfect , Next Life’s New York coming out takes place at The Tank on Thursday March 3 at 9:30pm.

Featuring the composer and stage artist Hai Nguyen Dinh on guitars, and Tormod Christensen on keyboard and samples, Next Life’s central interest is discovering the musical potential of mixing the alternative sounds of hardcore music with gaming technology.

To hear some samples, click on the following links:

Next Life Next life Pressphoto 08 224x300 Queer Art Impact and Future Perfect Team Up

http://www.myspace.com/next_life
http://www.facebook.com/pages/NEXT-LIFE/54578623672?ref=ts


Music Sample Next Life – Artificial Divinity

 

The Idiot

IDIOT SAYS YES. The Idiot is an electro-drama pop singer and queer performing artist. His beats are strong, his rights are wrong. Check out the blog for sights, sounds, upcoming shows, and the occasional douchebag essay, and get into what people are calling “Sondheim on Ecstasy But More Gay.”

Nursha Project Guest Curates Late Night with Mason Rhynes Productions in DC

December 31, 2010 by  
Filed under Uncategorized

Join Nursha Project in celebrating Late Night with Mason Rhynes Productions . If you missed the December 2010 installment of the performance series, click here for details.

The April 30th edition of Late Night with Mason Rhynes is one you will not want to miss! Nursha Project is proud to co-curate this production!


EVENT DETAILS tee whtFrt 390x400 Nursha Project Guest Curates Late Night with Mason Rhynes Productions in DC

April 30th, 2011 at 10pm

Late Night at Joe’s Movement Emporium

3309 Bunker Hill Road

Mt. Rainier, Maryland

Featuring A.O. Movement Collective, Wendell Cooper, and other special guests!

Co-presented with Joe’s Movement Emporium

Tickets: $20 General Admission; $15 Student Tickets with ID

Must be 18 to attend


Featured Artists

A.O. Movement Collective will be performing their piece, “Wet.”

Choreographed by Sarah A.O. Rosner + dancers

Performed by Tara Aisha Willis

Music by The Idiot

Additional choreographic research by Kirstan Clifford

This excerpt is one section of our larger work in process, barrish , or: i promise i’ll only look at the sky (goddamn black fucking hole).  La Mama Experimental Theater will present the (pre)premiere of the work at La Mama Moves! this May 27/28 in NYC.  The entire work is transmutable – able to be put together in any configuration for any space – and available for curation by anyone interested. Find out how you can participate at www.theAOMC.org/menu


AOMC Bio: images1 Nursha Project Guest Curates Late Night with Mason Rhynes Productions in DC

Founded in 2006, the A.O. Movement Collective is a home for hard falls and heavy slow dances: a community of dancers, thinkers, and makers who live by their art.  The AOMC encompasses my choreographic work; when joined with blog Urgent Artist and freelancing collective A.O. PRO(+ductions) , it is the movement third of a platform representative of a new model for dancemaking.

Choreographically, the AOMC pioneers pomo-humanism via a rigorous love affair with the aesthetics of mess.  At the same time, we are developing a discourse of anti-ephemeralism that surrounds our dancemaking.  We believe that by actively questioning the underlying assumptions of our field (be they artistic or economic) we become radical agents of progress, evolving the form and creating a more sustainable future.

Performer Bios:

TARA AISHA WILLIS (dancer) dances, makes dance, and writes things from her overly cozy apartment



Hoseajohnson©200971 Nursha Project Guest Curates Late Night with Mason Rhynes Productions in DC

Image: Hosea Johnson



in Brooklyn. She graduated Summa Cum Laude from Barnard College in 2009 with a B.A. in Dance and English, where she performed the work of Sean Curran, David Parker, Ivy Baldwin, Yanira Castro, Stephen Petronio, Gerald Casel, Nora Chipaumire, and Susan Rethorst. She received the Dance Theater Workshop Van Lier Fellowship just after college, and has shown work at DNA’s Works-In-Progress and Green Space’s Fertile Ground Series. Tara’s newest works will be presented this spring as an Alumni Guest Artist at The Latin School of Chicago, at the new REHEARSAL workshop series, and in the RoofTop Dance Series.  Aside from The A.O. Movement Collective, Tara has most recently danced with Sydnie L. Mosley Dances, Anna Brown Massey and Edisa Weeks. She is completing her Pilates Teacher Certification at The Kane School, and teaches at the Pilates Garage in Park Slope. She supports her artistry as a freelance writer for A.O. Pro(+ductions), House Manager at Dance Theater Workshop, and hostess at Joe’s Pub. www.bodypoem.blogspot.com

The IDIOT (composer) is the per­form­ing Alias of  THEODOR WILSON , a per­form­ing artist liv­ing in headerphoto 300x222 Nursha Project Guest Curates Late Night with Mason Rhynes Productions in DC Brook­lyn, NY. He calls his style of music “ Elec­tro­Drama ,” because it com­bines trashy elec­tronic riffs with melo­dra­matic nar­ra­tives, and because his live shows incor­po­rate the­atri­cal devices. Related gen­res include post-punk cabaret, new roman­tic, and indus­trial pop. Wil­son is a trained pianist and occa­sion­ally per­forms acoustic ver­sions of his elec­tronic numbers.

The Idiot has referred to his per­sona as a “grotesque bitch,” and a “har­le­quin.” In con­cert, as well as in pro­mo­tional appearances, he often wears arti­cles of women’s cloth­ing, notably high-heeled shoes, but insists he is not a drag queen, and that drag is “its own medium, with its set of own rules.” How­ever, The Idiot does per­form under the rap alias, “Ham­Samwich,” a self-described drag queen to end all drag queens, whose num­bers often appear in the Idiot’s live act.  The Idiot released his first offi­cial album, called “JUVENAL!A,” in 2010.

Wilson has collaborated with Rosner and the AOMC since 2007, and has scored both her performance works ( Haunt, The What’s Left Over After ) and short films ( Flour, Eggshells, Study #4 ).  He has also appeared in her performance works ( in Love and Defense of the Ones I Destroy, barrish ) and is a performative force to be reckoned with.  The composition he created for The What’s Left Over After appears on his 2010 album JUVENAL!A.


SARAH A.O. ROSNER is the founder of A.O. 3 (the A.O. Entity), a three-part platform uniting the A.O. 0 300x225 Nursha Project Guest Curates Late Night with Mason Rhynes Productions in DC Movement Collective , freelancing collective A.O. PRO(+ductions) , and the Urgent Artist blog.  A.O. 3 represents a new model for downtown dancemaking by holistically supporting all involved – artists, audience, funders, and critics. When not working on her own ventures, she is the Manager of Engagement at New York Live Arts in NYC.

Born and raised outside of Washington, DC, Rosner attended Sarah Lawrence College in New York where she studied dance and film with teachers including Emily Devine, Sara Rudner, Keith Sabado, Tony Schultz, and Kathy Westwater.  Rosner founded the A.O. Movement Collective in 2006, and has been at their helm creating Anti-Ephemeral PoMo Humanist discourse and works ever since, presenting work at the RAW festival, THROW, Open Perform, WAXworks, Green Space, AUNTS, Dance Place (DC), the LaGuardia Performing Arts Center and most recently, Joyce SoHo.


WENDELL COOPER is is modern shaman and creative artist based in Brooklyn, NY. A graduate of the



Wendell Cooper by Dan Paul Roberts 149x300 Nursha Project Guest Curates Late Night with Mason Rhynes Productions in DC

Image: Dan Paul Roberts



George Washington University (Dance/Religion), he is also a certified practitioner of energy bodywork and Thai Yoga Massage. He has taught, performed, and choreographed in China, Kenya, Russia, and the Netherlands. Cooper creates all of the elements of his interdisciplinary multimedia works that include both choreographed and improvised dance, original music, and video installation. He has worked with Nicholas Leichter Dance, the Maida Withers Dance Construction Company, Grisha Coleman, and the Magpie Music Dance Company. Wendell also self- produces as well as collaborates on projects with Mathew Heggem (as Kinaeathesia), Monstah Black, and Yozmit. SEA GLASS is his latest collaborative project.  [ www.complexstability.com ]